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Reviews
King David April 17, 2009 David M. Sanborn is an impressive performer, and his enactment of the Biblical story of King David in this one-man musical displays his triple-threat credentials as dancer, singer, and actor. Furthermore, the religious fervor with which he infuses the show gives him yet another quality, making him a quadruple threat. Moreover, he co-wrote and co-composed King David with his mother, Ellen Sanborn, who has directed the show. However, the piece does have its creative collaborators: Both the program and Sanborn at the start of the performance assure us that every spoken word has been translated from the Bible and every song adapted from King David's own psalms. And the story of David's unending relationship with the Almighty unfolds in straight-on narrative style. Don't look for psychological interpretations. It's pure gospel. Sanborn's mettle as an actor shows in the well-defined characterizations he gives to his leading characters: the youthfully reverent David, the troubled King Saul, and the gravitas-laden narrator. He embodies supporting roles with celebrity impressions. For example, Goliath is a comically blustering Arnold Schwarzenegger, Samuel a stammering Jimmy Stewart, and Nathan the Prophet is Sean Connery. Sanborn's impersonations—sometimes on the mark, sometimes not—bring an occasionally distracting note of cartoonish frivolity to the storytelling. However, some of the best moments pulsate with a genuine sense of drama, as when David dances before the Ark, confronts the dissolute Saul, or grieves over his dying child. The show also overflows with seductively lilting praise music in a pop evangelical style, and Sanborn sings it quite beautifully to lushly recorded orchestrations. "The Lord Is My Shepherd" sounds like Andrew Lloyd Webber channeling Barry Manilow. Production values are all first-rate, including Elizabeth Richards' evocative costuming and unit set with its giant lyre behind an imposing throne, the lighting of Matthew Miller, and the ear-caressing sound design of Bernard Fox. Onn San is the orchestrator, and San and Don Stephens did the arrangements. If you're in the mood for a gospel lesson, King David delivers it in about 70 minutes with theatrical savvy. Presented by Sanborn Productions and Eastern Gate Entertainment in association with Dan and Margaret Drost and Joseph Callari With a Psalm (and a Song) in His Heart: Biblical Tales By ANDY WEBSTER "King David," a one-man musical based on the Books of Samuel, stars David M. Sanborn, one of the show’s authors, at the Promise Theater. Published: April 28, 2009 The appeal of Scripture springs eternal, something Broadway and Hollywood have exploited for decades. Now there’s David M. Sanborn — an actor from a family of past and present Christian relief workers — who has brought his one-man musical, “King David,” to the Promise Theater, infusing the Books of Samuel with the aesthetics of both. The idea of this family-friendly show — the book and songs are a collaboration between the good-looking, hard-working Mr. Sanborn and his mother, Ellen, who also directed it — involves Mr. Sanborn’s impersonating Hollywood actors (like Jimmy Stewart, Arnold Schwarzenegger and Sean Connery) as he inhabits the figures in the life of David (including Saul, Goliath, the prophet Nathan and others). Many of the renditions are spot-on, while others are less so. Some of the caricaturesque voices are the actor’s own creations. Helping to suggest antiquity are Elizabeth Richards’s simple but effective set and costumes. But this is a musical, so there are songs, here set to prerecorded music and overflowing with lush arrangements, to say nothing of Mr. Sanborn’s impassioned vocals onstage. The actor, who has been touring with this production for 12 years, draws from a seemingly limitless well of feeling and makes the story wet, really wet, with emotion, especially in the musical numbers. You’ve never heard David suffer like this over the loss of his child by Bathsheba nor his anguished pleas for divine forgiveness. Except maybe in Las Vegas. Inspirational pop can tend toward overwrought uplift, and so do the songs in “King David.” But families with a taste for this sort of thing will love it. Those seeking additional transcendence after the performance can look forward to “Judah Ben-Hur,” also starring Mr. Sanborn, which he has said he hopes to bring to Broadway in 2010. “King David” continues through June 27 at the Promise Theater, 316 East 91st Street, Manhattan; (212) 352-3101, theatermania.com. KING DAVID Theater with Pat O'Haire May 10, 2009 The only thing most people know about David, the legendary King of the Jews in ancient times, is the story of how he, a teenaged soldier in a war against the Philistine invaders, met up with and confronted Goliath, biggest and baddest member of the enemy’s army, and, armed with his faith in God and nothing more than the most primitive of weapons - a slingshot and a few stones - slew the nine-foot-tall giant. It was an action so unexpected that the enemy was thrown into panic, threw down their arms, turned around and ran away. It is an awesome story as related in the book of Samuel, one of the earliest books of the Bible, and has been repeated often through the years in books and shown in many films, taught in schools and told so often that it has become legend. But David was more than just a lucky youngster able to win a war with a slingshot. He quickly became a popular leader of his people, the Jews of ancient times, and eventually one of their greatest kings. Far from frivolous, he managed to unite the often-warring tribes of Israel, coerced them into a peaceful union, established Jerusalem as their capital, rescued the Ark of the Covenant and built a sanctuary for it. He was also a musician, played the lyre, composed hymns and sang them and wrote many of the psalms that made their way into the Bible. It is that David that is being depicted in an unusual one-man musical show, acted, co-written, sung and danced by actor-singer and mimic David Sanborn, now at the Promise Theater, a handsome Off Broadway venue on 91st St., between First and Second Aves. What Sanborn and his director and co-writer (who is also his mother, Ellen) have done is populated the stage with the voices of some well-known, easily-identified stars, whose words come from the Bible but whose voices come from the young Sanborn – Goliath, for example, sounds like Arnold Schwarzenegger. The elder Samuel, the reporter covering the events, sounds like Jimmy Stewart; the prophet Nathan has Sean Connery’s Scottish burr and one of the King’s servants sounds like Keanu Reeves. It’s an interesting, quite original, way to tell a story, as the narrative leads its way through peace and war, marriage, the birth and loss of a son, through politics, assassination attempts, celebrations, questions of faith and reconciliation with God. It is an ambitious undertaking, and, for the most part, it succeeds. Sanborn is an engaging actor with a pleasant voice; the songs, all written by him, fit the mood of the period and his impersonations are accomplished. The use of well-known voices to replace live characters is an interesting concept, but unfortunately, it is difficult to remember exactly who the characters are when they all come from the same throat. He does well with all of them, but the concept might work better if there were fewer. The stage is bare, for the most part, except for a large chair which seems to have been made of stone and covered by a single stretched-out canvas, which seems to be ready to set sail at any moment. The simple stage and costume design is by Elizabeth Richards, Bernard Fox did the sound design and Matthew Miller handled the lighting, all of which worked very well. The Sanborn family, it would seem, has managed to do everything else, and they did it with apparent ease and dispatch. Reflections In The Light Review A Guest Review The New York Times was right! It's a "first-rate" production. He does impersonations of one Hollywood superstar after the next. As fun as the impersonations were, there were moments where he was deeply emotionally connected. Despite having performed it since April (quite a nice run for these parts), there were times that his face was drenched with tears. At other times he's like a little kid playing in a sandbox. In these days of so many distractions I always feel so rewarded by the intense focus and energy it takes to perform a one-man play. David made me appreciate it from another angle: I forget it takes focus and energy to follow a one-man play! We become so used to the artists providing all the details, but there's something akin to reading a novel that happens when the brain gets a chance to fill in some of the gaps in solo theatre. David and his mother, Ellen, chose their cuts judiciously from Christian and Jewish translations of First and Second Samuel, and they've found a great dramatic arc from his confrontation with Goliath to the birth of Solomon. They've interspersed it all with Davidic psalms set to music which delightfully foreshadows the Sanborns' musical, Judah Ben Hur, advertised as coming to Broadway in the fall of 2010. Non Professional Reviews
Pure Talent, April 23, 2009
Annalyse Maston (a.bubba-at-yahoo.com) The Promise Theatre is like no off-Broadway theatre I have ever seen! It was newly remodeled, and is clean and beautiful. The seats were so comfortable, I would have happily sat for several more hours watching David M. Sanborn's incredible performance. I was shocked by the bathrooms - they are maintained and cleaned regularly. This is no "black box" theatre! The Promise Theatre was the perfect setting to enjoy Sanborn's incredible one-man show, "King David". With the quality of the performance, show, and surroundings, it doesn't get much better than this! |
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| Last Updated: June, 2009 | |||||||||
| Copyright © 2009 Sanborn Productions | |||||||||
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